Kiss videos
Kizz, キッス
Kiss were formed in Queens, New York (USA) in 1973. Often stylized 'KISS' they play rock, hard rock and 1980s hair/glam metal. Easily identified by its members' face paint and flamboyant stage outfits, the group rose to prominence in the mid to late 1970s on the basis of their elaborate live performances, which featured fire breathing, blood spitting, smoking guitars, shooting rockets, levitating drum kits and pyrotechnics. Kiss has been awarded 24 gold albums to date. The band has sold more than 40 million albums in the United States, of which 19 million have been certified by the RIAA, and their worldwide sales exceeds 100 million albums. Kiss trace their roots to Wicked Lester, a New York City-based rock and roll band led by co-founders Gene Simmons and Paul Stanley. Wicked Lester, with its eclectic mixture of musical styles, never achieved any success. They recorded one album, which was shelved by Epic Records, and played a handful of live shows. Simmons and Stanley, feeling that a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group. In late 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a veteran drummer from the New York club scene, who was previously in bands called Lips and Chelsea. Criss auditioned for and joined the new version of Wicked Lester. The trio focused on a much harder style of rock than Wicked Lester played. Inspired by the theatrics of Alice Cooper and the New York Dolls, they also began experimenting with their image by wearing makeup and various outfits. In early January 1973, the group added lead guitarist Ace Frehley who impressed the group on his first audition, where he showed up wearing two different sneakers, one red and one orange. A few weeks after Frehley joined, the Wicked Lester name was dropped and the band became Kiss. The 1973–80 lineup of Paul Stanley (vocals and rhythm guitar), Gene Simmons (vocals and bass guitar), Ace Frehley (lead guitar and vocals), and Peter Criss (drums, percussion and vocals) is the most successful and identifiable. With their makeup and costumes, they took on the personas of comic book-style characters: Starchild (Stanley), The Demon (Simmons), Spaceman or Space Ace (Frehley), and Catman (Criss). The band explains that the fans were the ones who ultimately chose their makeup designs. Paul Stanley became the "Starchild" because of his tendency to be referred to as the "starry-eyed lover" and "hopeless romantic." The "Demon" makeup reflected Simmons's cynicism and dark sense of humor, as well as his affection for comic books. Ace Frehley's "Spaceman" makeup was a reflection of his fondness for science fiction and supposedly being from another planet. Peter Criss's "Catman" makeup was in accordance with the belief that Criss had nine lives because of his rough childhood in Brooklyn. Because of creative differences, both Criss and Frehley left the group by 1982. The band's commercial fortunes also waned considerably by that point. Buoyed by a wave of Kiss nostalgia in the 1990s, the band announced a reunion of the original lineup (with makeup) in 1996. The resulting Kiss Alive/Worldwide/Lost Cities/Reunion Tour was the top-grossing act of 1996 and 1997. Criss and Frehley have since left Kiss again and have been replaced by Eric Singer and Tommy Thayer, respectively. The band continues to perform with makeup, while Stanley and Simmons have remained the only two constant members. Kiss has been named on many lists. They include Number 10 on VH1's "100 Greatest Artists of Hard Rock", 9th on "The Greatest Metal Bands" list by MTV, #1 on Hit Paraders's "Top 100 Live Bands", 56th on VH1's "100 Greatest Artists Of All Time" and 2nd on Digital Dream Door's "Best Hair Metal Bands". Kiss was nominated for the Rock and Roll Hall of Fame, ten years after becoming eligible. However, on December 15, 2009 it was announced that Kiss did not make it in. The band's name – which is often spelled in all capital letters – has been rumored to have many secret meanings, among them an acronym for "Knights In Satan's Service" and "Kids In Satan's Service". Because of the ambiguity in the distinction between "hard rock" and "heavy metal", Kiss' music has always been labeled one or the other. But shortly after the band's formation, critics called them "thunderockers". They also experimented in the disco/pop (Dynasty, Unmasked), art rock (Music from "The Elder") and grunge (Carnival of Souls: The Final Sessions) styles. Their music is described by Allmusic as "a commercially potent mix of anthemic, fist-pounding hard rock, driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late 80s."
Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. Most kids were infatuated with the look of Kiss, not their music. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. But Kiss' music shouldn't be dismissed ( it was a commercially potent mix of anthemic, fist-pounding hard rock driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s.Kiss was the brainchild of Gene Simmons (bass, vocals) and Paul Stanley (rhythm guitar, vocals), former members of the New York-based hard rock band Wicked Lester; the duo brought in drummer Peter Criss through his ad in Rolling Stone, while guitarist Ace Frehley responded to an advertisement in The Village Voice. Even at their first Manhattan concert in 1973, the group's approach was theatrical, and Flipside producer Bill Aucoin offered the band a management deal after the show. Two weeks later, the band was signed to Neil Bogart's fledgling record label, Casablanca. Kiss released their self-titled debut in February of 1974; it peaked at number 87 on the U.S. charts. By April of 1975, the group had released three albums and had been touring America constantly, building up a sizable fan base.
Culled from those numerous concerts, Alive! (released in the fall of 1975) made the band rock & roll superstars; it climbed into the Top Ten and its accompanying single, "Rock 'N' Roll All Nite," made it to number 12. Their follow-up, Destroyer, was released in March of 1976 and became the group's first platinum album; it also featured their first Top Ten single, Peter Criss' power ballad "Beth." Kiss mania was in full swing; thousands of pieces of merchandise hit the marketplace (including pinball machines, makeup and masks, and board games), and the group had two comic books released by Marvel as well as a live-action TV movie, Kiss Meet the Phantom of the Park. A 1977 Gallup poll named Kiss the most popular band in America. The group was never seen in public without wearing their makeup, and their popularity was growing by leaps and bounds; the membership of the Kiss Army, the band's fan club, was now in the six figures.
Even such enormous popularity had its limits, and the band reached them in 1978, when all four members released solo albums on the same day in October. Simmons' record was the most successful, reaching number 22 on the charts, yet all of them made it into the Top 50. Dynasty, released in 1979, continued their streak of platinum albums, yet it was their last record with the original lineup ) Criss left in 1980. Kiss Unmasked, released in the summer of 1980, was recorded with session drummer Anton Fig; Criss' true replacement, Eric Carr, joined the band in time for their 1980 world tour. Kiss Unmasked was their first record since Destroyer to fail to go platinum, and 1981's Music from the Elder, their first album recorded with Carr, didn't even go gold ( it couldn't even climb past number 75 on the charts. Ace Frehley left the band after its release; he was replaced by Vinnie Vincent in 1982. Vincent's first album with the group, 1982's Creatures of the Night, fared better than Music from the Elder, yet it couldn't make it past number 45 on the charts.
Sensing it was time for a change, Kiss dispensed with their makeup for 1983's Lick It Up. The publicity worked, as the album became their first platinum record in four years. Animalize, released the following year, was just as successful, and the group essentially recaptured their niche. Vincent left after Animalize and was replaced by Mark St. John, although St. John was soon taken ill with Reiter's Syndrome and left the band. Bruce Kulick became Kiss' new lead guitarist in 1984. For the rest of the decade, Kiss turned out a series of best-selling albums, culminating in the early 1990 hit ballad "Forever," which was their biggest single since "Beth." Kiss was scheduled to record a new album with their old producer, Bob Ezrin, in 1990 when Eric Carr became severely ill with cancer; he died in November of 1991 at the age of 41. Kiss replaced him with Eric Singer and recorded Revenge (1992), their first album since 1989; it was a Top Ten hit and went gold. Kiss followed it with the release of Alive III the following year; it performed respectably, but was not up to the standards of their two previous live records.
In 1996, the original lineup of Kiss ) featuring Simmons, Stanley, Frehley, and Criss ( reunited to perform an international tour, complete with their notorious makeup and special effects. The tour was one of the most successful of 1996, and in 1998 the reunited group issued Psycho Circus. While the ensuing tour in support of Psycho Circus was a success, sales of Kiss' reunion album weren't as stellar as anticipated. Reminiscent of the band's late-'70s unfocused period, few tracks on Psycho Circus featured all four members playing together (most tracks were supplemented with session musicians), as the band seemed more interested in flooding the marketplace with merchandise yet again instead of making the music their top priority. With rumors running rampant that the Psycho Circus Tour would be their last, the quartet announced in the spring of 2000 that they would be launching a U.S. farewell tour in the summer, which became one of the year's top concert draws. But on the eve of a Japanese and Australian tour in early 2001, Peter Criss suddenly left the band once again, supposedly discontent with his salary. Taking his place was previous Kiss drummer Eric Singer, who in a controversial move among some longtime fans, donned Criss' cat-man makeup (since Simmons and Stanley own both Frehley and Criss' makeup designs, there was no threat of a lawsuit) as the farewell tour continued.
With the band scheduled to call it a day supposedly by late 2001, a mammoth career-encompassing box set was set for later in the year, while the summer saw perhaps the most over-the-top piece of Kiss merchandise yet ) the "Kiss Kasket." The group was relatively quiet through the rest of the year, but 2002 started with a bang as Gene Simmons turned in an entertaining and controversial interview on NPR where he criticized the organization and berated host Terry Gross with sexual comments and condescending answers. He was promoting his autobiography at the time, which also caused dissent in the Kiss camp because of the inflammatory remarks made toward Ace Frehley. Frehley was quite angry at the situation, leading to his no-show at an American Bandstand anniversary show. (His place was taken by a wig-wearing Tommy Thayer, but no one was fooled and the band looked especially awful while pretending to play their instruments during the pre-recorded track.) The appearance was an embarrassment for the group and for their fans, but Simmons was quick to dismiss the performance as another in a long series of money-oriented decisions. The band kept touring the globe with no new album in stores, but in 2008 they returned to the studio, re-recorded their hits, and released Jigoku-Retsuden aka KISSology or Kiss Klassics. The release was exclusive to Japan until a year later when it became a bonus disc for the band's first studio album in 11 years, Sonic Boom. Produced by Paul Stanley and Greg Collins, the album was exclusively distributed in North America by the Wal-Mart chain of stores. In 2012, the band's twentieth studio album, Monster, surfaced, rewriting the cowbell-heavy party rock of their '70s heyday and adding some nods to the sinister metal of 1992's Revenge.